Perspectives: Hai Bo

March 27, 2010 - February 27, 2011 (new closing date)
Street Level, Pavilion
As part of the Perspectives series of contemporary Asian art, on view are five large-scale photographs from Hai Bo's Northern Series, which invite viewers to enter the vast panoramas of the artist's childhood memories, observe the subtle changes of nature across seasons, and encounter the gentle transience of life. Hai Bo (born 1962, Changchun, China) looks to the desolate plains of northeastern China for his images. Trained as a painter, Hai Bo took up photography in the 1980s as he became captivated by the camera's ability to stop time and evoke memories. For over two decades, he has been returning to his hometown in Jilin Province to capture the people and places of his youth, creating deeply moving portraits of resilience amidst the growing isolation of rural China.

In the Realm of the Buddha

March 13, 2010 - July 18, 2010
Sublevel 1, Main Gallery & Northeast Galleries
Two distinct exhibitions offer fascinating encounters with the sacred art of Tibetan Buddhism.

• Lama, Patron, Artist: The Great Situ Panchen: In studying the sacred arts of Tibetan Buddhism, we seldom know who the artist was, let alone his life story. Through new scholarship and recently discovered paintings, this exhibition focuses on an extraordinary Tibetan artist Situ Panchen (1700-1774), who was not only a renowned painter and designer of paintings, but also a revered scholar, teacher, and the founder of Palpung monastery. By bringing together thangkas painted and designed by Situ, sculptures of his chosen deity Tara, and Chinese works from the Freer Gallery of Art collection, this exhibition reveals not only Situ Panchen's genius and enduring influence, but also his engagement with transnational Buddhist culture.

• The Tibetan Shrine from the Alice S. Kandell Collection: On public display for the first time, this privately held reconstructed shrine room features Tibetan Buddhist sacred art created between the 13th and 19th centuries. Works of art on view include bronze sculptures, thangkas (scroll paintings), ritual objects, textile banners, and painted furniture, all presented in a religiously correct manner. This shrine is acknowledged by practicing Buddhists as a sacred place.

Taking Shape: Ceramics in Southeast Asia

April 1, 2007 - through 2010
Sublevel 1, Galleries connecting Freer & Sackler Galleries
This exhibition of approximately 200 diverse and visually striking ceramic vessels from Southeast Asia explores the migration of pots from their makers to their users. This exhibition also illuminates the dimensions of international trade that brought southern Chinese ceramics into mainland Southeast Asia and from there reaching distant markets -- from Japan to Turkey. Spanning four millennia on invention and exchange, from the prehistoric period to the present, the vessels on view were crafted for rituals, burials, domestic use, and trade. These clay pots and jars, made permanent by firing in bonfires or kilns, form the most enduring record of human activities, interactions, and ideas about form and decoration in mainland Southeast Asia.

Sculpture of South and Southeast Asia

- Indefinitely
Sublevel 1, South Corridor Galleries
Sculptures from 3 major religions are presented: Hindu stone, bronze, brass, and terra-cotta temple sculptures from India; and Jain and Buddhist bronze, gilt bronze, and stone sculptures from India, Pakistan, Nepal, and Tibet.

The Arts of China

- Indefinitely
Sublevel 1
A variety of materials, techniques, and motifs, which span almost six thousand years, are explored in this exhibition of 228 objects highlighting the Sackler Gallery's permanent holdings of Chinese art. The exhibition features jades and bronzes, Buddhist sculpture and wall paintings, glass, lacquerware, furniture, and paintings from the Neolithic period to the 20th century.

Contemporary Japanese Porcelain

- Permanent
Sublevel 3
Twentieth-century Japanese artists give fresh interpretations to the time-honored art of porcelain in this selection of works from the Sackler Gallery's collection. The distinctive decorations, which range from natural motifs to more abstract designs, are created using iron and cobalt pigments and platinum, gold, and silver enamels.

Sculpture: Monkeys Grasping for the Moon

- Indefinitely
Sky-lit Atrium to Sublevel 3
It was originally created as a temporary display by expatriate Chinese artist Xu Bing (b. 1955) for the 2001 exhibition Word Play: Contemporary Art by Xu Bing. In order for it to remain on permanent view, it was re-created under Xu Bing's supervision and was given to the museum by the family of Madame Chiang Kai-shek in 2004 to coincide with the Year of the Monkey. This sculpture -- suspended from the sky-lit atrium down to the 3rd-level reflecting pool -- is composed of 21 laminated wood pieces, with each forming the word "monkey" in a dozen different languages. Based on a Chinese folktale, the monkeys linked arms and tails to form a chain to reach down to the pool below to capture the shimmering moon, only to discover it was a reflection. Moral: We often waste much time on futile goals.

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